(EN) Dia Takacsova photographs the indigenous Kenyan tribe fighting for the right to their ancestral homeland
Features > (EN) Dia Takacsova photographs the indigenou…

(EN) With their name meaning ‘caretaker of all plants and wild animals,’ the Ogiek act as guardians Kenya’s Mau Forest, yet due to enduring feuds with other tribes and the Kenyan government, this role is under threat.

(EN) It seems like an unlikely fit for an indigenous hunter-gatherer community to be seen as detrimental to their surroundings, but according to Dia Takacsova, that’s how the Ogiek are perceived by the Kenyan government. The Brussels-based photographer traveled to the Mau Forest in December, 2018 as part of a project organized by Minority Rights Group International. During her time there she produced an intimate photo series documenting the unique traditions of the Ogiek, and their symbiotic relationship with the natural world. “The tribe has been collecting fruits, hunting wild animals, and practicing beekeeping in the trees for centuries,” says Takacsova. “But the Kenyan government insists that the community is a threat to the Mau,” she continues, explaining that even after a ruling by the African Court of Human and People’s Rights stating that the Ogiek community had been violated and deserved compensation, the Kenyan government has done little to fulfill the court’s verdict, apart from establishing a task force to study the court’s judgement.

The first public hearing for the task force took place in February 2019, but the Ogiek tribe still feel sceptical about their future. “As much as we are optimistic about the task force, we are also aware that the government of Kenya has never been a good implementer of such recommendations” explains Ogiek activist Leonard Mindore, who states that the findings of many other task forces and commissions are now gathering dust on government office shelves. “It is therefore important to closely monitor the next steps” says Takacsova.

It’s easy to understand the tribe’s wariness towards the Kenyan government, especially considering their involvement in the destruction of the Ogiek’s precious homeland, which has decreased by over 100,000 hectares in the past 15 years. The reasons? “Encroachment for agriculture, tea plantations, charcoal, logging, illegal, and poorly planned resettling of other tribes, all of which have been associated with the Kenyan government, especially [the former president] Daniel arap Moi,” says Takacsova, who imparts that the results of such exploitation were very visible during her visit to the forest.

But despite the sadness of the environment “taking the toll of years of plundering,” Takacsova says that amidst the “man-made charcoal forests” and “asphalt roads surrounded by red soil” there are still echoes of the Mau’s former glory to be found. “One of the most memorable moments during my trip was taking a boda boda (local motorbike taxi) and reaching part of the original forest, seeing the breathtaking flora, spotting monkeys somewhere in the distance, and then looking for beehives placed high in the trees.”

(EN) The area of the Mau has decreased by over 100,000 hectares just in the past 15 years.
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(EN) With the changing landscape, lifestyle is transforming, too. The community is now also growing crops and farming.
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(EN) Ogiek beekeeper Boniface Oti Gechucho. The fight for recognition of both land and political power has been long ongoing.
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(EN) The original Mau Forest - a unique ecosystem essential for the whole region and for about 25 million Kenyans and Tanzanians.
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(EN) Honey harvesting from a beehive. The Ogiek have been practicing beekeeping in the trees for centuries.
(EN) According to the community’s elders, “there are now less trees - and less bees”.
(EN) A portrait of Cherop Kalegu. Young people speak English and often study or work in the towns.
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(EN) “The Ogiek have a deep connection to this place and the community,” says activist Leonard Mindore.

(EN) The process of extracting honey was one of the traditions that Takacsova found most fascinating to photograph. “Honey is gathered by the men who are climbing up trees with ease,” she says, explaining how the tribe burn dry moss to smoke the hives prior to harvesting the sweet nectar. But while some traditional methods such as these are maintained, others, such as hunting “don’t happen regularly nowadays.” But Takacsova doesn’t lament the fact that things have moved on for the tribe. “Progress is inevitable, it would be naive to think that an indigenous community’s life would be exactly the same today as it was hundreds of years ago.”

Such progress means that many young people leave the Mau Forest to study or work in nearby towns—though “they keep returning to the community, as there is a strong sense of belonging here”—and that it isn’t uncommon to notice some lurking smart phones around the tribe’s residence. Ironically, technology’s presence in the Mau Forest has a lot more to do with preserving the Ogiek’s traditions than the spread of consumerism. “Ogiek activist Leonard Mindore emphasized that they are using the technology that is useful for them,” Takacsova explains, stating that this is especially relevant for advocacy purposes, as the tribe’s fight for their right to remain in their ancestral homeland is greatly aided by exposure on social media.

Takacsova says she hopes her collection of photographs will “amplify their voice” and bring their cause and the challenges they face to attention. But the photographer doesn’t view her documentation as a definitive portrait of East Africa, and sees future artistic possibilities for working in Kenya and the surrounding areas. “This was the first time I have had the chance to get a glimpse of the richness of the many communities and the abundance of topics in East Africa” she enthuses. “It takes time to understand the complexities of this area, and I hope to return to explore more.”

(EN) Cellphones, electronic money and permanent homes became part of the everyday life of community members - but the heritage and cultural beliefs inseparable from the forest remain.
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(EN) Ogiek elders wearing traditional hunting clothing made of hyrax skin.

(EN) Dia Takacsova is a Slovak-Hungarian photographer based in Brussels. Her work explores identity, physical, and emotional connection to place, and humanity’s relationship with nature. To see more of her photography visit her website or follow her on Instagram. To find out more about the plight of the Ogiek Tribe, visit their website, or check out their crowdfunding page on Go Fund Me.

Text: Emily May
Photography: Dia Takacsova